Vui lòng dùng định danh này để trích dẫn hoặc liên kết đến tài liệu này:
http://hdl.handle.net/ULIS_123456789/2165
Nhan đề: | AFROFUTURISM AND THE CASE OF BLACK PANTHER (2018) |
Nhan đề khác: | Thuyết vị lai Châu Phi và câu chuyện về Black Panther (2018) |
Tác giả: | Đặng, Ngọc Sinh Vũ Phương, Thảo |
Từ khoá: | Thuyết vị Black Panther Châu Phi |
Năm xuất bản: | thá-2019 |
Nhà xuất bản: | Đại học Ngoại ngữ - Đại học Quốc gia Hà Nội |
Tóm tắt: | ABSTRACT This paper is a humanities-oriented research that investigates the development of a cultural aesthetic named Afrofuturism and examines the blockbuster superhero movie Black Panther as an artistic form that contributes to the development and widespread of the phenomenon. In the first part, this paper offers informative knowledge about the history of Afrofuturism, presenting how the shape of the phenomenon changed over time thanks to the active movements of Afrofuturists. This is achieved by analyzing the characteristics of the ideology in different points throughout history, from the middle of the 20th century to the arrival of the Black Panther, and identifying the related relating representative contributors. In the latter part, the case – Black Panther – is evaluated by comparing and contrasting its features with that of Afrofuturism during the same period. The results of this study are that Black Panther features all characteristics of Afrofuturism of the period the movie was born. Besides, the film also adds one component of the cultural aspect of the phenomenon that has not been observed in any prior works of the 21st century – the Xhosa African language as a national and dominant language. Finally, there are some suggestions regarding the possible future research approaches of the same topic – Afrofuturism and Black Panther. |
Mô tả: | ABSTRACT This paper is a humanities-oriented research that investigates the development of a cultural aesthetic named Afrofuturism and examines the blockbuster superhero movie Black Panther as an artistic form that contributes to the development and widespread of the phenomenon. In the first part, this paper offers informative knowledge about the history of Afrofuturism, presenting how the shape of the phenomenon changed over time thanks to the active movements of Afrofuturists. This is achieved by analyzing the characteristics of the ideology in different points throughout history, from the middle of the 20th century to the arrival of the Black Panther, and identifying the related relating representative contributors. In the latter part, the case – Black Panther – is evaluated by comparing and contrasting its features with that of Afrofuturism during the same period. The results of this study are that Black Panther features all characteristics of Afrofuturism of the period the movie was born. Besides, the film also adds one component of the cultural aspect of the phenomenon that has not been observed in any prior works of the 21st century – the Xhosa African language as a national and dominant language. Finally, there are some suggestions regarding the possible future research approaches of the same topic – Afrofuturism and Black Panther. |
Định danh: | http://hdl.handle.net/ULIS_123456789/2165 |
Bộ sưu tập: | Khóa luận tốt nghiệp |
Các tập tin trong tài liệu này:
Tập tin | Mô tả | Kích thước | Định dạng | |
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E.KL.CN.68.pdf | 113.86 kB | Adobe PDF | Xem trực tuyến |
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